App for montauk-1 allende-18
OOC:
Name: Yume
Personal DW:
memorylikeasieve
Email: yumegari_2@yahoo.com (but I rarely ever look at it)
Timezone: CST
AIM/Plurk: AIM: IIMDYinker / PLURK: memorylikeasieve
IC:
Character name: Loki Laufeyson
Character Journal(s):
hates_thunder
Canon: MCU
Point of Origin: Some time after the events of the Avengers film. He's gone through some kind of Asgardian answer to detox, wherein the bizarre and corrupting energies of the Tesseract and the Chitauri sceptre have leached from him, leaving him marginally less evil but by no means good.
Appearance: 6'2", weighs maybe 160, thin and lanky, pale and sharp-faced, with large, expressive eyes and clever hands and a smile almost always hovering about his features. Favours black and green and stays completely covered despite a very low heat tolerance. If exposed to extreme cold will gradually become bright cobalt blue with red eyes.
Background:MCU and a wee bit of the original mythology.
Personality: (*cracks knuckles* Right, I'm going to try to succeed where a string of Norse Mythology scholars have failed--I'm going to try to intelligibly explain Loki Laufeyson in less than 100,000 words. Granted, I have the Marvel continuities to make things a little more--oh, who am I kidding, Marvel simply went and made it WORSE. Still, wish me luck! As always, the bits in square brackets are headcanon/speculation.)
The one and single descriptor that everyone can agree on regarding Loki's personality is 'complex.' Possibly 'mercurial,' if one really wants to get circular about it (Let's describe a trickster god by comparing him to another trickster god! How about we add 'puckish' and 'coyote-like' to the list while we're at it?!). I can't say his moral compass swings wildly because, in all honesty, he hasn't got one. If he were an RPG character it would be physically impossible for his alignment to be anything other than True Neutral. Loki does what he does for three reasons--because it sounded like fun at the time, to ensure his own survival, or to somehow prove himself to his father.
Let's tackle them in order.
Loki has a slightly twisted sense of humour. The phrase has been overused to the point where it almost doesn't mean anything any more, but there is no other way to describe it--it is literally askew from anything even approaching the norm. Leaving aside his obviously overdeveloped sense of schadhenfreude, [the man's brain has gone crosswired and his funnybone has ended up in his pleasure centre. He's like an addict, or the most infuriating case of OCD ever, in that he literally goes antsy and twitchy and strung-out if he doesn't make a fool out of someone or cause some kind of chaos or misfortune somewhere, often to comedic extremes.]
This dovetails somewhat into the second point--survival. To say he thrives on chaos and misfortune is a bit of an understatement and likely also a bit disingenuous. Mischeif in all its forms and connotations is an aspect of his very existence. Apart from that, he has ended up historically doing a lot of things because he's been threatened with death if he did not. [major speculation alert--I am including this aspect from the mythology because the Cinematic Universe has given no other explanation for the presence of Sleipnir.]
The fact that some of these threats have come from Odin himself leads to the third point. Loki has grown up in the shadow of his older brother Thor and has tried in vain for as long as he can remember to prove to the others, and especially to his father, Odin, that he is worthy of respect, title, and inheritance. These plans often go catastrophically awry but it doesn't stop him from trying. Odin is a demanding ruler and is fair in that he demands just as much of his family as he does the rest of his subjects, and Loki feels that he is forever falling behind in meeting these demands, further galled by the fact that such things come so easily to Thor.
As so often happens with Marvel villains (though, to be fair, a similar outcome is seen in the mythology) these factors, coupled with an already unstable mind and a shocking revelation (here being that he is not Odin's son at all but a foundling rescued from Jötunheim and actually Laufey's abandoned son, taken in by Odin for political reasons), send him into madness. His measures to prove himself become more and more desperate and destructive and, at a final confrontation on the bridge between worlds (the Bifrøst), a last rejection from Odin snaps his resolve and he allows himself to be sucked into the void between worlds [The Ginnungagap?].
When he returns he is more unstable, more amoral, scarred by the time spent in the void and corrupted psionically by the alien energies of the Tesseract and the Chitauri power sceptre. He appears to, at least a couple times, realise what he is doing and the impact it has, but is in too far over his head to back out at this point. When he is defeated and these alien energies taken from him, [he is effectively detoxed as their effects leach out of his mind.]
All of this contributes to the being he is, now, at this point in canon. He is still mercurial, still crosswired, and still feeling shadowed by his brother. He is much less evil, now, however, what was once malice having now faded back into that keen sense of schadhenfreude. He is clever, almost terrifyingly intelligent, charismatic, and extremely observant. He's regained a lot of his good looks and is acutely aware of this fact, [not above using an attractive smile, a smouldering gaze, a seductive touch, or a bedroom voice to get what he wants. Whether he follows through on any of this rakish behaviour depends entirely on his mood--more often than not he finds it more fun to get a person flustered and then leave than to actually seduce someone.]
However, for all this charisma his psyche is still a bit fractured. He is jumpy, has a tendency to leap to conclusions, and has a very short fuse. This short fuse leads to an emotional explosion that lasts for all of maybe five minutes, after which he attempts a return to normalcy. He is jealous, suspicious of the motives of others, [and is, frankly, completely done with being threatened into acting as someone else's tool and will vociferously object to doing anyone a favour unless he'll be suitably rewarded or doing so will amuse him, or they at least ask nicely. He cannot, however, outright refuse. It is not in his nature to do so. Never has been, never will be. The Trickster provides and that is an unalterable fact of nature. He hides behind humour and practical jokes and elabourate schemes that are, to be honest, funny as hell... until they happen to you, unless you have a similar sense of humour.]
All in all he gives the impression of a desperately jolly God of Mischeif. A Norse Pagliachi of sorts, hiding pain behind laughter.
Skills/Powers: Loki's powers, with one exception, seem almost psionic or perception-based in nature--he can cast illusions and glamours, effect subconscious (ie low-grade) mind control that essentially acts like hypnotism, and mask his presence from others no matter how preternaturally eagle-eyed they happen to be (he can hide from Heimdahl, after all). His other powers appear to involve very small-scale spatial hopping, as he can teleport himself or objects a MAXIMUM of about twenty feet. He is also stronger, more durable, and has faster reflexes than a human but nothing like superhero calibre.
These powers will be damped significantly save for the durability, strength, and reflexes, which are entirely biological. His magical abilities will be severely curtailed and this will have a somewhat adverse affect on his physical condition. Using his magic will tire him easily and teleporting will succeed but leave him unconscious.
His skills include preternaturally fast learning, sleight of hand, extensive knowledge of the arcane arts, wilderness survival, and familiarity with melée combat.
Gear: For once, Loki carries nothing with him beyond the clothes on his back and a few small daggers and throwing knives.
Why do you want to play this character in this particular setting? I love horror and post-apocalyptic settings fascinate me. Also, the sheer amount of horror present in this setting is something I want to pit this constant insolence of his against. He seems to come out the other end of all manner of torment with nothing more than resentment and a collection of psychological issues born of emotional pain. I want to see what would actually break him. I want to see where the story leads me and whether he'll either start to trust other people or simply go completely off the deep end into gibbering insanity. Either one would be a satisfying challenge to play with. Since he isn't human the tininess of humanity won't bother him--unless it easily translates to the tininess of the individual or of all sapient life.
Writing Samples:
It's raining again.
That, in itself, isn't the problem. The problem is that the rain is making the ruined pavement slick and muddy and nearly impossible to run across. Loki's feet slip for the nth time and he nearly falls, catching himself against the remains of a fence that borders what used to be a bistro in another lifetime. He spares the broken glass and rotted furnishings a second's worth of a glance as he hauls himself to his feet and sees movement reflected there. Something flashes toward him from behind and he throws himself to one side, rolling across the broken concrete and scrabbling to his feet again. The rasping of his own breath is drowned out by the scream of tortured metal as the insectile beast pulls its head and beak out of the fence. It lunges and he throws himself aside again.
Crouched on all fours he can see that the beast had wrenched free one of the long metal spikes that comprised the fence. If I can just get that piece of metal.... He takes several breaths as the thing regains its bearings and then he lunges for the fence, rolling over the pole and snatching up the improvised weapon. Its teeth snap shut an inch from his foot. He doesn't regain his feet as gracefully as he would liked to have done and ends up skittering away from it as it advances. It lunges again and he swings the wrought-iron spike in a desperate uppercut that slams into its lower jaw with a satisfying crack. He tries for a backswing and the spike smacks against the creature's head and then flies from his hand.
There's a pause as the thing shakes its head then tilts it in the manner of a bird, blinking its mismatched eyes at Loki. He stares back at it for a beat, breath puffing in the cold air and rain running down his face. He lifts a hand to wipe the water from his eyes. The thing emits a squawk like tearing sheet metal and lunges. He throws himself forward, tumbling under its head and between its many pairs of legs and runs.
When it turns it sees its prey stumble and it lunges again only to pass completely through what looked like its target and slam its face into the concrete. It drags itself up again, hissing.
Around a corner, Loki has his back pressed to a wall, breath wheezing, now. The thing jerks and staggers past him in a manner it had been using this entire time, like a skipping film, and he screws his eyes shut. He hopes it won't see him. Hopes it hunts by sensing movement. All he can hear now is his wheezing and the rain. He cracks open an eye.
Its beak is mere inches from his head and he freezes as it snuffles, then emits a sound like a power drill cranked up to twenty before turning....
...And slamming its head into the building, beak driving into Loki's shoulder and pinning him to the bricks. He tries not to scream as pain lances through him, tearing fire and cracking and the sickening release of blood and tissue and he's pulled away from the wall and slammed against the other one with a bone-jarring impact that scrambles his nerves and leaves his heart stammering. He aims a kick at the thing's neck and even though it connects solidly with more force than a human could muster it does nothing more than jar him loose for a beat.
That one beat is all he needs as he mentally grabs hold of what little magic he has left and yanks himself out of that place, vanishing with a quiet foomp sound and a shimmer of disturbed air.
He reappears as far away as he can manage, on the second floor of a ruined building, and staggers toward a wall, blackness closing in on his vision, one hand clutching his shoulder. He hits the wall and slides down, leaving a trail of blood, and before he reaches the floor his last thought is a vaguely hopeful one. At least I'm inside....
Then he sees no more for quite some time.
---
Testrun_box shenanigans--life with a Trickster God.
If these are a bit too light I can provide more writing upon request.
Name: Yume
Personal DW:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Email: yumegari_2@yahoo.com (but I rarely ever look at it)
Timezone: CST
AIM/Plurk: AIM: IIMDYinker / PLURK: memorylikeasieve
IC:
Character name: Loki Laufeyson
Character Journal(s):
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Canon: MCU
Point of Origin: Some time after the events of the Avengers film. He's gone through some kind of Asgardian answer to detox, wherein the bizarre and corrupting energies of the Tesseract and the Chitauri sceptre have leached from him, leaving him marginally less evil but by no means good.
Appearance: 6'2", weighs maybe 160, thin and lanky, pale and sharp-faced, with large, expressive eyes and clever hands and a smile almost always hovering about his features. Favours black and green and stays completely covered despite a very low heat tolerance. If exposed to extreme cold will gradually become bright cobalt blue with red eyes.
Background:MCU and a wee bit of the original mythology.
Personality: (*cracks knuckles* Right, I'm going to try to succeed where a string of Norse Mythology scholars have failed--I'm going to try to intelligibly explain Loki Laufeyson in less than 100,000 words. Granted, I have the Marvel continuities to make things a little more--oh, who am I kidding, Marvel simply went and made it WORSE. Still, wish me luck! As always, the bits in square brackets are headcanon/speculation.)
The one and single descriptor that everyone can agree on regarding Loki's personality is 'complex.' Possibly 'mercurial,' if one really wants to get circular about it (Let's describe a trickster god by comparing him to another trickster god! How about we add 'puckish' and 'coyote-like' to the list while we're at it?!). I can't say his moral compass swings wildly because, in all honesty, he hasn't got one. If he were an RPG character it would be physically impossible for his alignment to be anything other than True Neutral. Loki does what he does for three reasons--because it sounded like fun at the time, to ensure his own survival, or to somehow prove himself to his father.
Let's tackle them in order.
Loki has a slightly twisted sense of humour. The phrase has been overused to the point where it almost doesn't mean anything any more, but there is no other way to describe it--it is literally askew from anything even approaching the norm. Leaving aside his obviously overdeveloped sense of schadhenfreude, [the man's brain has gone crosswired and his funnybone has ended up in his pleasure centre. He's like an addict, or the most infuriating case of OCD ever, in that he literally goes antsy and twitchy and strung-out if he doesn't make a fool out of someone or cause some kind of chaos or misfortune somewhere, often to comedic extremes.]
This dovetails somewhat into the second point--survival. To say he thrives on chaos and misfortune is a bit of an understatement and likely also a bit disingenuous. Mischeif in all its forms and connotations is an aspect of his very existence. Apart from that, he has ended up historically doing a lot of things because he's been threatened with death if he did not. [major speculation alert--I am including this aspect from the mythology because the Cinematic Universe has given no other explanation for the presence of Sleipnir.]
The fact that some of these threats have come from Odin himself leads to the third point. Loki has grown up in the shadow of his older brother Thor and has tried in vain for as long as he can remember to prove to the others, and especially to his father, Odin, that he is worthy of respect, title, and inheritance. These plans often go catastrophically awry but it doesn't stop him from trying. Odin is a demanding ruler and is fair in that he demands just as much of his family as he does the rest of his subjects, and Loki feels that he is forever falling behind in meeting these demands, further galled by the fact that such things come so easily to Thor.
As so often happens with Marvel villains (though, to be fair, a similar outcome is seen in the mythology) these factors, coupled with an already unstable mind and a shocking revelation (here being that he is not Odin's son at all but a foundling rescued from Jötunheim and actually Laufey's abandoned son, taken in by Odin for political reasons), send him into madness. His measures to prove himself become more and more desperate and destructive and, at a final confrontation on the bridge between worlds (the Bifrøst), a last rejection from Odin snaps his resolve and he allows himself to be sucked into the void between worlds [The Ginnungagap?].
When he returns he is more unstable, more amoral, scarred by the time spent in the void and corrupted psionically by the alien energies of the Tesseract and the Chitauri power sceptre. He appears to, at least a couple times, realise what he is doing and the impact it has, but is in too far over his head to back out at this point. When he is defeated and these alien energies taken from him, [he is effectively detoxed as their effects leach out of his mind.]
All of this contributes to the being he is, now, at this point in canon. He is still mercurial, still crosswired, and still feeling shadowed by his brother. He is much less evil, now, however, what was once malice having now faded back into that keen sense of schadhenfreude. He is clever, almost terrifyingly intelligent, charismatic, and extremely observant. He's regained a lot of his good looks and is acutely aware of this fact, [not above using an attractive smile, a smouldering gaze, a seductive touch, or a bedroom voice to get what he wants. Whether he follows through on any of this rakish behaviour depends entirely on his mood--more often than not he finds it more fun to get a person flustered and then leave than to actually seduce someone.]
However, for all this charisma his psyche is still a bit fractured. He is jumpy, has a tendency to leap to conclusions, and has a very short fuse. This short fuse leads to an emotional explosion that lasts for all of maybe five minutes, after which he attempts a return to normalcy. He is jealous, suspicious of the motives of others, [and is, frankly, completely done with being threatened into acting as someone else's tool and will vociferously object to doing anyone a favour unless he'll be suitably rewarded or doing so will amuse him, or they at least ask nicely. He cannot, however, outright refuse. It is not in his nature to do so. Never has been, never will be. The Trickster provides and that is an unalterable fact of nature. He hides behind humour and practical jokes and elabourate schemes that are, to be honest, funny as hell... until they happen to you, unless you have a similar sense of humour.]
All in all he gives the impression of a desperately jolly God of Mischeif. A Norse Pagliachi of sorts, hiding pain behind laughter.
Skills/Powers: Loki's powers, with one exception, seem almost psionic or perception-based in nature--he can cast illusions and glamours, effect subconscious (ie low-grade) mind control that essentially acts like hypnotism, and mask his presence from others no matter how preternaturally eagle-eyed they happen to be (he can hide from Heimdahl, after all). His other powers appear to involve very small-scale spatial hopping, as he can teleport himself or objects a MAXIMUM of about twenty feet. He is also stronger, more durable, and has faster reflexes than a human but nothing like superhero calibre.
These powers will be damped significantly save for the durability, strength, and reflexes, which are entirely biological. His magical abilities will be severely curtailed and this will have a somewhat adverse affect on his physical condition. Using his magic will tire him easily and teleporting will succeed but leave him unconscious.
His skills include preternaturally fast learning, sleight of hand, extensive knowledge of the arcane arts, wilderness survival, and familiarity with melée combat.
Gear: For once, Loki carries nothing with him beyond the clothes on his back and a few small daggers and throwing knives.
Why do you want to play this character in this particular setting? I love horror and post-apocalyptic settings fascinate me. Also, the sheer amount of horror present in this setting is something I want to pit this constant insolence of his against. He seems to come out the other end of all manner of torment with nothing more than resentment and a collection of psychological issues born of emotional pain. I want to see what would actually break him. I want to see where the story leads me and whether he'll either start to trust other people or simply go completely off the deep end into gibbering insanity. Either one would be a satisfying challenge to play with. Since he isn't human the tininess of humanity won't bother him--unless it easily translates to the tininess of the individual or of all sapient life.
Writing Samples:
It's raining again.
That, in itself, isn't the problem. The problem is that the rain is making the ruined pavement slick and muddy and nearly impossible to run across. Loki's feet slip for the nth time and he nearly falls, catching himself against the remains of a fence that borders what used to be a bistro in another lifetime. He spares the broken glass and rotted furnishings a second's worth of a glance as he hauls himself to his feet and sees movement reflected there. Something flashes toward him from behind and he throws himself to one side, rolling across the broken concrete and scrabbling to his feet again. The rasping of his own breath is drowned out by the scream of tortured metal as the insectile beast pulls its head and beak out of the fence. It lunges and he throws himself aside again.
Crouched on all fours he can see that the beast had wrenched free one of the long metal spikes that comprised the fence. If I can just get that piece of metal.... He takes several breaths as the thing regains its bearings and then he lunges for the fence, rolling over the pole and snatching up the improvised weapon. Its teeth snap shut an inch from his foot. He doesn't regain his feet as gracefully as he would liked to have done and ends up skittering away from it as it advances. It lunges again and he swings the wrought-iron spike in a desperate uppercut that slams into its lower jaw with a satisfying crack. He tries for a backswing and the spike smacks against the creature's head and then flies from his hand.
There's a pause as the thing shakes its head then tilts it in the manner of a bird, blinking its mismatched eyes at Loki. He stares back at it for a beat, breath puffing in the cold air and rain running down his face. He lifts a hand to wipe the water from his eyes. The thing emits a squawk like tearing sheet metal and lunges. He throws himself forward, tumbling under its head and between its many pairs of legs and runs.
When it turns it sees its prey stumble and it lunges again only to pass completely through what looked like its target and slam its face into the concrete. It drags itself up again, hissing.
Around a corner, Loki has his back pressed to a wall, breath wheezing, now. The thing jerks and staggers past him in a manner it had been using this entire time, like a skipping film, and he screws his eyes shut. He hopes it won't see him. Hopes it hunts by sensing movement. All he can hear now is his wheezing and the rain. He cracks open an eye.
Its beak is mere inches from his head and he freezes as it snuffles, then emits a sound like a power drill cranked up to twenty before turning....
...And slamming its head into the building, beak driving into Loki's shoulder and pinning him to the bricks. He tries not to scream as pain lances through him, tearing fire and cracking and the sickening release of blood and tissue and he's pulled away from the wall and slammed against the other one with a bone-jarring impact that scrambles his nerves and leaves his heart stammering. He aims a kick at the thing's neck and even though it connects solidly with more force than a human could muster it does nothing more than jar him loose for a beat.
That one beat is all he needs as he mentally grabs hold of what little magic he has left and yanks himself out of that place, vanishing with a quiet foomp sound and a shimmer of disturbed air.
He reappears as far away as he can manage, on the second floor of a ruined building, and staggers toward a wall, blackness closing in on his vision, one hand clutching his shoulder. He hits the wall and slides down, leaving a trail of blood, and before he reaches the floor his last thought is a vaguely hopeful one. At least I'm inside....
Then he sees no more for quite some time.
---
Testrun_box shenanigans--life with a Trickster God.
If these are a bit too light I can provide more writing upon request.